shinto
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Trigger Warning: graphic violence & gore; self-harm & suicide themes; drug use & addiction; mental health crisis; domestic & emotional abuse; death of minors; religious/occult imagery; sexual violence; sexism & patriarchal control; spoilers. When Silent Hill ƒ was first announced, many fans expected the familiar fog-shrouded streets of the series’ namesake town. Instead, we were
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Shintō (神道), often translated as “the Way of the Gods,” is Japan’s native spiritual tradition; a set of beliefs and practices that long predates the arrival of Buddhism, Confucianism, or Christianity on its shores. Rooted in the worship of kami, or divine spirits, Shintō emerged organically from the rhythms of daily life, the cycles of
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Koji Shiraishi’s Cult is a meta-found-footage fever dream that gleefully deconstructs both the conventions of Japanese horror and the spectacle-hungry media culture that surrounds it. Framed as a reality-TV ghost investigation, the film lures the viewer in with familiar tropes (cursed families, psychic exorcists, vengeful spirits) only to turn them inside out with bursts of
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Masato Harada’s Inugami stands apart from its flashier J-horror contemporaries like Ringu or Ju-On: The Grudge. While those films deliver quick, iconic scares and urban legends, Inugami unfolds as a slow-burning, rural folk horror, rooted deeply in Japanese tradition and the lives of a marginalized community. The result is a fascinating exploration of how horror
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