japan

  • Ring (novel) | an analysis

    Ring (novel) | an analysis

    A Look at Koji Suzuki’s 1989 Novel Ring and Its Divergence from the Films Today, I want to discuss Koji Suzuki’s 1989 novel Ring, the chilling source material for the iconic media franchise that spawned several films, television series, and even a remake in Hollywood. While the various adaptations have veered into supernatural horror, the

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  • The Oppressive Legacy of Confucianism: A Feminist and Leftist Critique of Its Historical and Social Impact

    Introduction Confucianism, as a philosophical and socio-political system, has deeply influenced the development of East Asian societies for over two millennia. While it has been praised for promoting social harmony and moral ethics, its long-standing impact has also contributed to the entrenchment of patriarchal, hierarchical, and authoritarian systems. As a feminist and leftist, I argue

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  • Ju-On: the Grudge (2002) | an analysis

    Ju-On: The Grudge (2002) marks the third installment in the Ju-On series, but it’s the first to receive a wide theatrical release, both in Japan and internationally. It follows two earlier made-for-TV films, Ju-On: The Curse and Ju-On: The Curse 2 (both released in 2000), and continues their terrifying legacy. Written and directed by Takashi

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  • RINGU (1998) | an analysis

    Ringu, the movie that started it all; the urtext, if you will, of J-Horror. Based on the Koji Suzuki novel of the same name, Hideo Nakata’s 1998 masterpiece didn’t just redefine horror for a generation: it created a new cinematic language of dread. Eschewing gore and cheap jump scares, Ringu roots its terror in the

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  • Noroi: the Curse (2005) | an analysis

    Noroi: The Curse is a 2005 Japanese found-footage, folk-horror film that quietly became one of the most influential (and unnerving) entries in J-horror. While it shares the urban legends, spirits, and media technology tropes of Ringu or Ju-On, Noroi leans even harder into documentary realism and rural folklore. The result is a slow-burn, mosaic nightmare;

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  • Inugami (2001) | an analysis

    Masato Harada’s Inugami stands apart from its flashier J-horror contemporaries like Ringu or Ju-On: The Grudge. While those films deliver quick, iconic scares and urban legends, Inugami unfolds as a slow-burning, rural folk horror, rooted deeply in Japanese tradition and the lives of a marginalized community. The result is a fascinating exploration of how horror

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